untitled-1991:

marni ss 07

Kasia Struss at Hermes Spring 2012

(Source: vandercunt, via amberortolano)

lockbuch:

„Erröten“, Wende-Schürze, Schmuck, Wandobjekt  - Gummi, Hagebutten in grün, rosa, rot, Filz, Kordel  (Rückseite: Plastikblumen)… irgendwann habe ich das Rot-Werden verlernt … Oder vermeide ich einfach nur Situationen, in denen ich rot werden könnte?!*"Blush", Reversible Apron, jewelry, wall object  - Rubber, rose hips in green, pink, red, felt, cord  (Back: plastic flowers) Sometime … I’ve forgotten how blushing…  Or do I avoid just situations where I could blush ?!

Yaya Deng
fromasecondstory:

out of proportiondetails 9.14ph: robbie fimmano
cotonblanc:


Radical KnitwearYohji Yamamoto, autumn/winter 1998–1999. In contrast to McQueen, the simplicity of hand-knitting and the basic construction of Yamamoto’s pieces conjured a romantic innocence and naïveté, as the models hugged the comforting knitting around themselves. The shapes of the coat and dress are simple rectangles, the edges left to curl. The accompanying advertising campaign showed the clothes in strange, magical settings in the forest in full moonlight. 

Knitwear in Fashion by Sandy Black
trillaparade:

Filippa K S/S 15.
leauxnoir:

CÉLINE f/w 2013